The painting by Wilhelm Camphausen was taken made eight years after the scene it recaptures, but it is instructive all the same. Two figures; one of them with his eyes cast downward, shoulders slumped, hair unkempt, dress coat ruffled, hands held upward—the look of a supplicant. The other; his chin upright, sword clasped firmly, helmet tucked over his forehead; eyes sparkling and shiny—the epitome of confidence. Such was the encounter in the late afternoon 2 September 1870 when the two men, whose countries had clashed at the battle of Sedan and were still clashing in the bloodiest of the wars of the middle of the nineteenth century, came face to face: Napoleon III and Otto von Bismarck—both extraordinary characters. Before turning to the events that led to this war and the battle that decided it, let us delve a little into the background of the personalities of two of the most fascinating characters produced in the nineteenth century, and one might as well start with Napoleon III who had, unlike his great antagonist, been a familiar figure on the European political stage for over two decades. Sixty-two years old at the time this story opens, Napoleon III was a tall thin figure, a man of enormous intellectual depth. His mind teemed with original, often dangerous, ideas that were years ahead of his time. These ideas ran across national frontiers; they were European, even worldwide, in scope. In home affairs, his ideas were also new. He wanted free trade, public direction of industry, and a systematic use of credit to promote expansion and full employment. His intellect was enriched by great personal charm. He was vain, solitary, even moody, yet, as Queen Victoria once said, “a prince among men.” He was a beautiful speaker with a ravishing voice and a fine turn of phrase. He bewitched Tsar Alexander II and Emperor Francis Joseph. Statesmen and monarchs alike succumbed to his magic. There were great political gifts behind the cloud of phrases. He was a skillful, though not always a successful, negotiator. Though he appealed to the fears of the middle class, he was also a socialist. He did more for the French working class than any other government before or since, and when he died he was, like Benjamin Franklin, working on an economical stove for the poor. Napoleon III began his career as president of France, an office to which he was elected in December of 1848. He had run on a ticket of law and order, and his election was certainly a defeat for radicals and republicans. All the same, the lesser bourgeoisie and peasant proprietors who formed the bulk of his support dreaded a return to the ancien régime. Napoleon I had in their eyes been a democratic sovereign, attached inextricably to the principles of 1789: they saw in Louis Napoleon both order and balance. Bonapartism meant balance: no reaction, no revolution. In the final analysis, Louis Napoleon won because his inner complexities had reached a precarious balance that matched exactly the national mind. This was a rare moment, for Louis Napoleon III’s mind was a tangle of contradictions. He was a constant mixture of idealist and conspirator, consistent in one only thing. Or rather two things. He could never resist the temptation to speculate; equally, he could never resist the opportunity to manufacture plans—first plans for getting power, then plans for using it. But, in the words of the British historian A.J.P. Taylor: “he hated the action which threatened to follow these plans. For example, the coup d’état of 2 December had been planned months before and put off at least twice. When it came to the point, Louis Napoleon hesitated again and might have put it off once more had not the politicians of the national assembly forced his hand by beginning to make plans against him” There was a further contradiction. Though Louis Napoleon talked ceaselessly to an endless number of witnesses of every political stripe, he was not given to revealing himself on paper. The correspondence of his uncle runs to sixty-four volumes; that of Louis Napoleon, when it was recently brought together, filled only one. Nor was he more forthcoming in the practical consideration of running the country. It was a hard task to be one of Louis Napoleon’s ministers. He never learned to give precise instructions; hence the difficulty of his ambassadors in writing accurate reports. Walewski, illegitimate son of Napoleon I and later foreign minister under Louis Napoleon, once complained: “The ambassadors see my door open, but they by-pass it; they prefer in matters of great sensitivity, to deal with the emperor alone.” In December 1852 Louis Napoleon proclaimed the Second Empire and took the title Emperor Napoleon III. The first whiff of the French empire brought cries of alarm from the Great Powers. The British were the first to expostulate: they protested over the “III” of Napoleon’s title, then recognized the new emperor without reserve. They were followed by Frederick William IV of Prussia who, in turn, was followed by Francis Joseph of the Habsburg Monarchy. Only the Russians hesitated. They had been won by the Austrians for a scheme to greet Napoleon III as “friend,” not as “brother,” and they refused to drop the idea even after the Austrians had pulled out. The tsar noted: “Brother! This relationship does not exist between us and Napoleon. The title of ‘Brother’ can only be addressed to one who receives his authority from heaven.” Some of Napoleon III’s advisors were outraged by this offense and urged him to break off relations with Petersburg. Louis Napoleon replied: “God gives us our brothers, we choose our friends,” and refrained. Louis Napoleon had now attained the summit of his ambitions. His title made him master of France. Yet this mastery was not achieved without costs. As emperor, Louis Napoleon was not a free agent. He was reigned in by the institutions, customs, and legal practices he inherited from his predecessors, especially from his uncle. It was hard to distinguish between authenticity and sham, between what was genuine and what was imitation, between real article and the false coin; for that reason Napoleon III aroused more unmeasured slander from contemporaries than any political leader since the days of Louis XIV. The popular images of his rule can be expressed in three sentences of Taylor’s: “The Second Empire claimed to be Wagner and turned out to be Offenbach—a frivolous echo of the past, not an inspiration for the future. It was the bastard of the great Napoleon in name, in policy, even in men. It was said at the time that, though Louis Napoleon was not the son of his father, everyone else at court was the son of his mother.” At the same time Napoleon III undertook a vast program for the reform of French institutions in the hope of giving the French people a richer life than any that they had previously enjoyed in the history of the world. More jobs, longer holidays, shorter hours, higher wages—these were the things he advocated and worked for. He made Paris what it is—as far as appearance is concerned—the Paris of the great boulevards and the Paris of the grand operas. He turned the geography of world power upside down by building the Suez Canal. He used the plebiscite more skillfully than de Gaulle, the twentieth century figure with whom he is sometimes compared. The contradictions of Napoleon III were shown especially in foreign affairs. He advocated, or claimed to advocate, an entirely new system of foreign policy. He attempted to display this system in various ways: sometimes through speeches—speeches which retain a high reputation for oratory because the twists of Napoleon III’s utterances make it almost impossible to pin down his thought; sometimes through manipulation of the press: he would write an article in Le Moniteur—anonymously, though signed in every line advocating a policy and often by implication criticizing his subordinates. He had, however, one overpowering belief: his belief in the power of nationalism. This was indeed the panacea for Europe’s ills. Antagonism among the nationalities was a canker at Europe’s heart; remove this antagonism and peace would follow. It was for France to take up the cause of nationalism and discharge her European mission. But how? “By promoting a United States of Europe.” Everything in Europe called for unification. More uniform in climate than China, less diverse in religion than India, less diverse in race than the United States of America: a single culture and a common social structure. Self-determination ascertained through a plebiscite was Napoleon III’s goal; then free nations could live as happy neighbors. Such at any rate were the views he outlined in Napoleonic Ideas—a remarkable little book published in 1839. Championing nationalism had for Napoleon III a second advantage: it would open the door to a general revision of the territorial settlement established at Vienna in 1815. He said in 1852: “Nations are not thrones and crowns; people have a right to assert themselves against their masters not of their own choosing.” To those who had constructed the Vienna system this sounded like the trumpet of doom. These men played out their lives in the shadow of the Napoleonic wars. They saw in Napoleon III’s program no mere revision of grievances and defects. Europe, which existed on the basis that France had lost the wars, was to be rearranged on the basis that she had won. Nor were their fears groundless. In Sorel’s words: “His name drove him to dazzle France.” Napoleon III liked to suppose that the congress of Vienna had brought France down from her high estate in Europe; on the contrary, this settlement had given her a position of preeminence in Europe and had made her secure. If it were changed, France was bound to suffer. Hence Napoleon III was constantly driven forward, and yet shrank from the results. Two objectives he pursued throughout his life: an alliance with Great Britain and destruction of the Holy Alliance—the union of the three northern courts, Austria, Russia, and Prussia, that had been formed in the wake of his uncle’s downfall to guard against the reappearance of “the revolution.” Despite Napoleon III’s inaction, he could never support the conservative cause when it came to the point: hence his sympathy for Italian and later German nationalism. Everything else about him defies analysis: conspirator and statesman; dreamer and realist; despot and democrat; maker of war and man of peace; adventurer, procrastinator, prognosticator—in the end elusive, a sprite vanishing into the garden. There were still further contradictions. Napoleon came to power proclaiming that “L’Empire, c’est la paix,” but within three years Frenchmen were dying on the battlefields of the Crimea. In 1859 embroilment in the first national wars in Italy gave France Nice and Savoy but at the cost of Italian affections, as did his sending of French troops to Rome in 1849 and again in 1867 to protect the pope. At the same time, the principle of nationalism led him to support Polish aspirations of independence at the cost of friendship with Russia. Most dangerous of all, the example that he set in siding with the unification of Italy morally forced him not to intervene in Bismarck’s scheme to bring the states of Germany under the rule of Prussia. The largest obstacle to German unification had been eliminated by Prussia’s success at Königgrätz on 3 July 1866 and by the treaty of 23 August of that year, which gave a formal registration to the defeat of the Habsburg monarchy. Napoleon III’s prestige suffered as a result. By 1870, “L’Empire, c’est la paix” had become a joke and had won him the overwhelming hostility of the intellectuals of his day, from whose witty and pungent attacks he never recovered. Nor was this all. At the time this tale begins, that is in the spring and summer months of 1870, Napoleon III was also very sick, suffering from cold, fever, tooth trouble, and most outstandingly from stone as well as from the aftereffects of the drugs administered for the relief of these miseries. To mount a horse was torture and, at times, coherent thought impossible. Stricken by these various douleurs, in acute pain sometimes almost past endurance, he suffered daily the take of telegrams and other official business brought currently to his apartments and coped as best he could with the responsibilities that flowed from it all. By 1870 Napoleon III was, as was plain to all who saw him, a man gravely weakened by age and by illness—indeed a shadow of his former self. Physically he had the appearance of a man already dead. His left arm was paralyzed; his eyes were glazed; he moved with a slow shuffling walk and was kept going only by increasing doses of drugs. Sick and racked by pain, his judgment, though still shrewd, was clouded by the languor that often interrupted his rare moments of energy. The few visits by the members of his government so obviously tired the emperor that the ministers often withdrew for sheer pity without even having attempted to broach the subjects about which they had come to see him. The upshot of all this was that Napoleon III, in the last year of his reign, came increasingly to rely upon those members of his entourage for whom conflict with Prussia was considered unavoidable, and among these his wife, the Countess Eugénie Montijo, was the most conspicuous. An auburn-haired Spaniard, aged twenty-seven at the time of her betrothal to Napoleon III in 1853—a woman of passionate political temperament, inexhaustible energies, wide interests, and varied tastes, Eugénie cut an imposing figure at court. In August 1855, at a great ball in the Tuileries, Bismarck, then the Prussian minister at Paris, was presented to Napoleon III and Eugénie, and he was properly responsive to her grace and beauty; the empress “was more beautiful than any of the portraits I have seen” he told his wife Johanna, not in general style, he added, unlike his sister Malwine, though her face was narrower and longer and her eyes and mouth more beautiful. Eugénie did not reciprocate Bismarck’s disposition. Of all her enthusiasms and passions, the greatest and most consuming were her hatred for Bismarck and her longing for the day when France would avenge the reversal of 1866. She gloried in the reputation she derived from these enthusiasms. She shared with Napoleon III a deep commitment to the empire, but she combined it with a virulent chauvinism. She claimed that “real strength only comes from consistency”—a phrase that shows how drastically she differed from her husband. She pushed this view all the more strongly because of her view that “France is losing her place among nations and must win it back or die.” It is said that on 15 July 1870, after a vote approving war credits had been taken in the French legislature, she summoned two aides to her chamber and described what was about to occur as “ma petite guerre.” We know a great deal about Eugénie’s activities during the last years of the second empire, most of which were based on her desire to bring about a crisis of relations with Prussia. Early in the year we find her recording the fact that the inspector-general of the Austrian army, Archduke Albrecht, was visiting Paris with a view to combining Austrian and French movements in times of war. This pleases greatly. “Il est, comme moi,” she writes, “passioné du désir d’un alliance avec l’Autriche.” Nor is this all. In her diary she pours out her resentments surviving from the confused and frustrating years between 1866 and 1870, and a most cynical and discreditable interpretation is given to the motives of Bismarck in blocking French plans to obtain control of the Belgian railways in 1869. Eugénie’s influence mounted as the health of the emperor fell into a decline. It is impossible to believe that Franco-Prussian relations were bettered in any way thereby; in all her pronouncements and writings, Eugénie stands in marked contrast to her Prussian counterpart, Queen Augusta. Needless to say, her pernicious influence was not inconsiderable. We have it from no less an authority than Halévy that the empress had set her face against the constitutional changes (see below) of 1870 because they represented the total defeat of her political views. Years later, when she had calmed down considerably, she still recalled Napoleon III in the spring of 1870 as “practically counting for nothing because of illness, yes; but particularly because he had surrendered the right to act arbitrarily against his ministers.” Of course, explanations such as these can be pushed too far. How many decisions would have been made differently had Napoleon III not been ill in July 1870? The record does not afford a single example. French policy was full of blunders, but through it all, and even in the darkest hours, Napoleon III was animated by a deep faith in the cause in which he believed. The decision for war in 1870, as for peace in 1866, will be forever controversial, but neither can be ascribed to the state of Napoleon’s health—and for one reason: these decisions were not made by Napoleon alone. Good health was no guarantee of freedom or blunder, given the constraints that imposed themselves on the crucial decisions. That said, it is undeniable that the unhappy imperial marriage did much to throw French policy into confusion. Napoleon had, during the time of the Crimean War (1854-56) overcome similar problems of health and had learned to live with marital disappointment, though it can hardly be said that his escapades with a host of mistresses afterwards were vicarious or that they gave him the degree of comfort and security that he wanted. For Eugénie, however, the cleavage with her husband had an unmistakable effect. It made her resolute for an independent course. She had little influence on the day-to-day formulation of French policies, but the contemptuous and offhand way that she characterized them undermined the consistency of application that they desperately needed. It is beyond question that she deluded the Austrians in this period about Napoleon III’s intentions and about the strength of his diplomatic position. And in 1870 she was only too willing to throw out the liberal ministry whose prestige had been one of the overriding factors in bringing on the declaration of war. Worse still, her appraisal of the crisis after the initial defeats prevented the retreat to Paris for which Napoleon III was pushing and led straight to the path of Sedan. In 1870 the Second Empire, which had been proclaimed with such fanfare eighteen years earlier and which was peculiarly the product of Napoleon III’s mind, had fallen into a decline. Its prestige was going. With that peculiar ease that the French have for unloading upon an individual the shortcomings of a nation at large, blame for all that was wrong with it, all that was corrupt in it, was quickly heaped upon the man at the top, and upon his shoulders rested the whole weighty structure of the empire that he had established. As the years passed, it became more and more evident that, should this main pillar ever be removed, the structure that supported it would instantaneously and irremediably collapse. And that pillar was crumbling. Election results bore this out. In each successive election the opposition showed itself to be increasingly powerful, and in May 1869 the foremost group, the republicans, captured Paris and most of the big cities. The government faced a new crisis of staggering proportions: half the members of the lower house, the Corps législatif, consisted of candidates who had rejected the official ticket and had campaigned for constitutional reform. By January 1870 the opposition finally forced Napoleon III’s hand; he drew up a new constitution, summoned to the premiership the opposition’s leader, Émile Ollivier, and with this proclaimed the advent of the “liberal empire,” in which he agreed to rule “with the cooperation of ministers and parliament” and to share the initiative in legislation with both houses of the legislature. The new constitution was decked out with democratic trappings; in reality it was a bundle of contradictions. Ministers were responsible, but to whom was left to speculation. And though the powers of the Corps législatif were increased, those of the upper house—the senate—still a nominated body, were increased as well, indeed more so: the senate was given a veto over legislation. ***





